Area di ricerca: AUTORE
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| 1. |  € 95,00 | EAN-13: 9782503545509 D. Eichberger
Visual Typology in Early Modern Europe. Continuity and Expansion
| Edizione: | Brepols Publishers, 2018 | | Collana: | Art History (Outside a Series) |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 95,00 | | Descrizione | Visual Typology in early Modern Europe: Continuity and Expansion is the first study that examines the varied manifestations of typological thinking in diverse media of the visual arts from the Late Middle Ages through the seventeenth century in Germany, The Netherlands, Italy, and France. This study counteracts the underlying misconception that typology was in decline or even ceased to exist in the sixteenth century. The studies within this volume offer new interpretations that redefine what is meant by typological thinking in the early modern period.Typological thinking informs traditional pre-figurations, as well as more broadly associative interconnections between the Old Testament, classical texts, and even natural history, in relation to the New Testament. Typological thought permeates religious and secular visual culture during the period under consideration and this collection of essays reveals the continuing relevance and expansion of typological patterns for the visual arts, with particular emphasis on innovations in the sixteenth century. In the course of the sixteenth century typology became more complex and flexible, and came under the influence of the writings of Protestant and Catholic reformers, and also derived new secular and political analogies.Each essay offers a different interpretation of typological thinking. The typological manuals that were written in the course of the Late Middle Ages remain the basis for many artistic projects in illuminated manuscripts, stained glass windows, sculpture, and painting. By the sixteenth century, the notion of type and antitype was so well embedded in thought that artists such as Brueghel and Lucas van Leyden implicitly evoked typological relationships. Before the Council of Trent, more allusive interpretations led to unorthodox pairings of images from secular and religious contexts. In the first half of the sixteenth century new relationships were developed by Protestant commentators. After the Council of Trent the Catholic Church returned to more traditional typological forms and established new guidelines for reading devotional images. Nonetheless, artists continued to pursue unorthodox, innovative pairings. |  Aggiungi al Carrello |
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| 2. |  € 70,00 | EAN-13: 9782503522883 D. Eichberger
Women at the Burgundian Court: Presence and Influence. Femmes à la Cour de Bourgogne: Présence et Influence
| Edizione: | Brepols Publishers, 2011 | | Collana: | Burgundica |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 70,00 | | Descrizione |
This collection of essays charts the role of women at the
Burgundian court by analysing the ways in which medieval women,
such as Isabella of Portugal, Margaret of York, Mary of Burgundy,
Margaret of Austria made an impact through their physical, moral
and spiritual presence at court. During the absence of the prince
these well-educated and internationally experienced spouses,
mothers and aunts were put in charge of the courtly household or
were in some cases appointed regent of the Netherlandish
territories for a limited period of time. The youngest generation
of women represented by the sisters and consorts of Charles V and
Ferdinand I - now forming part of the extended family network
continued this tradition and took it to Germany, Spain,
France and Portugal. The court developed into a kind of 'gender
laboratory', in which women actively negotiated their position of
power, thus consolidating their influence in politics, diplomacy,
education and art.
Dagmar Eichberger is professor of art history at the
University of Heidelberg, she teaches Netherlandish and German art
and culture from 1400 to 1800.
Anne-Marie Legaré is professor of medieval art
history at the University of Lille 3 Charles de Gaulle. She
teaches Womens Studies and History of Manuscript
Illumination.
Wim Hüsken is curator at the Stedelijke Musea in
Mechelen. He has written extensively on Dutch literature and
theatre of the sixteenth century.
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| 3. | € 109,00 | EAN-13: 9782503991290 D. Eichberger
Leben mit Kunst - Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande
| Edizione: | Brepols Publishers, 2002 | | Collana: | Burgundica |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 109,00 | | Descrizione |
This study aims at reconstructing
the courtly environment in which art was collected, studied and
displayed during the first half of the sixteenth century, using the
court of Margaret of Austria in Mechelen as a case
study.
"Schon länger, wenngleich
alzu pauschal, war in der Kunstgeschichtlichen Literatur die
herausragende Bedeutung der Sammlungstätigkeit Margaretes
erkannt worden. Eichberger liefert nun erstmalig eine ebenso
umfassende wie detaillierte Darstellung, die das in dem Fall
ausserordentlich üppig vorhandene Quellenmaterial konsequent
ausschöpft." (Sigrid Ruby, Humanities, Sozial- und
Kulturgeschichte, Mai 2003)
"Die Darstellung von Dagmar
Eichberger überzeugt durch umsichtige Recherche,
sorgfältige Analyse und stringende Argumentation." (Sigrid
Ruby, Humanities, Sozial- und Kulturgeschichte, Mai
2003)
"Dagmar Eichberger's seminal study
on Margaret of Austria, regent of the Low Countries (1507 - 1530),
as a collector, has set a new standard in the study of
Netherlandish court art of the Early Modern Period." (Krista De
Jonge, www.hnanews.org/archive/2004)
"(...) Dagmar Eichberger's work
should be required reading for all historians interested in the
subject" (Krista De Jonge, www.hnanews.org/archive/2004)
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